10,156 로열티 프리 오디오 트랙들 "Drum And Bass"에 대한

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of 512th notes. =60.

Primay triads in c, as MIDI

Sound of steel chisel 8th (octave)

Sound of steel chisel (tritone)

Shuffle notation in straight eighths (in drum set notation). Created by Hyacinth (talk) 21:48, 28 July 2008 in Sibelius.

Backbeat pattern on snare drum. Created in Sibelius. en:Image:Backbeat pattern snare drum.png

Sound of steel chisel 5th (fifth)

Canter rhythm depicted by the ride cymbal of a drum set whose bass and snare play boom-chick-chick in 3/4.

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of 16th notes. =60.

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of 64th notes. =60.

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of 8th notes. =60.

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of 32nd notes. =60.

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of whole notes. =60.

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of half notes. =60.

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of 128th notes. =60.

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of quarter notes. =60.

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of double whole notes. =60.

Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in root position and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is root-second-root-first/root-second-root-first-root)

Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in second inversion and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is second-first-second-root/second-first-second-root-second)

Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in first inversion and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is first-root-first-second/first-root-first-second-first)

Intro to "One Horse Open Sleigh".

Sixteenth note fill in a rock/popular groove played on a drum kit.

O Come, O Come, Emmanuel performed by the United States Army Old Guard Fife and Drum Corps at George Washington's Pohick Church.

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of quadruple whole notes. =60.

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of octuple whole notes. =60.

Alberti bass in Thomas Attwood's Sonatina in G Major opening.

Equivalent Alberti bass patterns for 4/4 and 3/4 time signatures: 4/4 version.

Typical Walking Bass

Example of Albertini bass from Mozart's Sonate Opus KV 331 - Variation 6, measures 13-16 (instead of 13-15 so as to allow an end on the tonic).It seems like Alberti bass, but it isn't!

Equivalent Alberti bass patterns for 4/4 and 3/4 time signatures: 3/4 version.

Title Piano hits, uncontrolled Artist stephan Original mp3 data Length:0:32 minutes (625.04 KB) Format:MP3 Stereo 44kHz 160Kbps (CBR) User tags Chord, Clash, hitting, Piano Type Natural PDSounds record number 330 Comment Hitting the piano uncontrolled with the underarms. Sound consists of 4 hits.

Haydn String Quartet Op. 76 No. 3, second movement, bars 1-2

Thematic development in Hebrides Overture, with staccato articulation

Haydn Piano Sonata in C minor, first movement, bars 5-8

Corelli, Christmas Concerto, 2nd movement

c,d,e,f,g,a,h(b),c played on a piano

Klangbeispiel eines Mordents (musikalische Verzierung); Instument: Piano

Dorian mode in Bloch's Chanty from Poems of the Sea, mm. 1-8.

Subdominant parallel in C major. Created by Hyacinth (talk) 04:21, 1 May 2010 using Sibelius 5.

Italiano: Scala di do ionio. Vedi anche: :Immagine:C_Ionian.ogg

J. S. Bach Cantata BWV140, orchestral introduction to the opening chorus

A 1500 Hz tone broadcast by WWV, the radio station of the United States National Institute of Standards and Technology.

Gary Adams, File was created using Scala to convert a sequence file of the major intervals in equal temperament to midi. It was then converted to an ogg file.

Brahms Intermezzo Op 118 no. 4

Parsifal Prelude Opening

Piano Sonata Op, 31 No. 3, first movement

Minor version of the theme, with piano right hand elaborating the melody in triplets.

In seculum